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Tranquility, 1996
Published in The Best of
Colored Pencil 4
As a child, I kept baby turtles as pets.
Over time, I learned more about turtles, terrapins, and tortoises
than most people want to hear about. When my emotions run
strong, I dream in turtles. While I am not cognizant of the
powers turtles have in my subconscious, I know they give me feelings
of joy, safety, and comfort. I developed rheumatoid arthritis
and learned to cope with pain through visualization. The warm
protected pool of water that I floated through to escape pain, fear,
and fatigue is represented in
Tranquility.

Waiting for Prince
Charming, 2000
Artist's Statement Missing

Live Bait,
2002
Awarded Signature Status
These colorful hook bearing
creatures, rescued from my father-in-law’s tackle box, were the
inspiration for
Live Bait. Living on Lake Chautauqua for
most of his life, he had used the lures over 60 years ago to catch
muskellunge.
In
Live Bait, a
sports shirt tossed carelessly on the floor serves as a background
for this fun fantasy piece in which the lures have come to life at
the end of the day to play.

Gilliver's
Travels, 2003
The
history and contents of my father-in-law’s tackle box served as the
inspiration for Gilliver’s Travels, my second painting
featuring the fishing lures that he used at his home on Chautauqua
Lake in New York to catch the prize of the lake: the muskellunge.
The colorful lures, with their playful and mischievous expressions,
seem to be carrying on without him in this fantasy piece where the
muskellunge, now ‘a fish out of water’, is surrounded by a horde of
small creatures reminiscent of the classic tale wherein Lemuel
Gulliver found himself beached and at the mercy of the little people
of Lilliput.

Significant
Lives, 2004
Received the CPSA 5-year Recognition Award
Significant Lives
is a celebration of two extraordinarily ordinary lives: that of one
ant with one dandelion. Despite the brief and lowly lives of these
two representatives from the plant and animal kingdoms, they exhibit
splendor, symbiosis, and purposefulness.
Magnification and realistic
style in presenting the subjects challenges the viewer to really
“see” the dandelion and the ant. The background may represent a
ticker-tape parade, a grassy field, a cathedral wall, or simply a
deep, rich, supportive backdrop to showcase the subjects. The
painting was rendered using a limited pallet of primary colors to
support the theme.

Anticipating Rebirth, 2006
The praying mantis in this
drawing was found in October 2003 in a brilliantly colored pin oak
tree. Both the insect and the tree were prepared for the end of
their spring-to-fall life span: the lethargic mantis had laid her
eggs in insulated egg sacks and the tree had stopped feeding the
leaves. These particular leaves would soon die and fall to the
ground; the mantis would do the same. The months of dormancy talked
about throughout the ages from mythology to meteorology would
reign. But when the pin oak leaf is as large a mouse’s ear and the
praying mantis nymphs emerge, the cycle of life and growth will
begin anew.

If I Had
Wings, 2008
CPSA Award
for Outstanding Recognition
Published in
CPSA'S
Signature Showcase Book
The orderly quilt-like
configuration of roads and farms seen in this aerial view of Ohio
are vestiges of the political subdivisions (townships) laid out by
Congress over 200 years ago. As a 35-year resident of Ohio with a
college degree in history, I was fascinated by photographs taken by
my daughter from an airplane that showed this enduring feature that
I studied so frequently from the time I was in elementary school.
Unfortunately, I am a “grounded” person and would never see this
sight myself. How can I rise to lofty heights when I cannot get my
rigid, rotund self off of the ground due to my many fears that have
limited my vision and perspectives throughout my life? Through my
pencils! First my being has to assume a “safer” form. . .the turtle
hasn’t let me down so far. . . then find a powerful wingman to carry
me

My
Sunshine; A Self-Portrait, 2009
My Sunshine
is a portrait of my dog and me drawn in French Greys with just a
touch of color. My dog came from the Humane Society almost 13
years ago with the name Cody. I came to recognize that his last
name was undoubtedly Pendant: pronounced co-dependent. Since then,
Cody and I have been through a lot together. When he was young, he
gave me a reason to get up and exercise even when fatigue and
arthritis pain made me want to sit. He developed stress diseases
with me as my children packed up and went off to live their own
lives. He took over being my ears when I lost most of my hearing.
Cody just knows. During the bad times, he would lie in
bed with me; during the good times he would insist that we get out
in the sun and play. Without him, no self-portrait of me would be
complete. He is my sunshine.
Note: Cody was put to sleep on August 17, 2009 while our picture
hung in Atlanta at the 17th CPSA International Exhibition.

Trudging Turtle, 2010
This is
a picture of our 2009 summer garden turtle, Ellie Mae. This
picture began as a preparatory study of the box turtle from the
backside since my primary interest was color mixing. I plan to
do other pictures of Ellie Mae using her as a model for my concerns
about these creatures and their ability to adapt to our world.

The Golden Boy, 2011
The Golden Boy is a
portrait of our 2010 garden turtle: a gorgeous, unflawed
young specimen of an Eastern Box Turtle that I called "Jethro"
as a companion to Ellie Mae. My attraction to turtles has
been on-going since I was child. My artwork is an attempt
to honor their role in my life.
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